As Halloween quickly approaches, this is the best season to indulge in a great horror novel that sends chills down your spine. In order to celebrate the spookiest season of the year, this blog post is dedicated to reviewing a popular horror novel published earlier this year. How to Sell A Haunted House by Grady Hendrix is not this author’s first foray into horror and he does not hesitate to thrust you into an environment bursting with tension and eeriness once the main character, Louise, enters the aforementioned haunted house. This narrative doesn’t just frighten its reader with the hauntings of the supernatural, though. In it, Hendrix explores the depth of unresolved trauma and the ways it can haunt a family through generations.
The story begins with Louise receiving a call from her estranged brother, Mark, with the news that both of their parents tragically died in a car accident. Now, single-parent Louise must leave her daughter Poppy behind in San Francisco to travel back to Charleston for the funeral. As is often the case with a death in the family, money becomes a huge issue between Louise and Mark as they fight over their inheritance and what they should do with the house—including their late-mother’s extensive and creepy puppet collection. Eventually agreeing to sell the house, as the siblings bicker over their past and the differences in how they view their lives, Hendrix makes it clear that something is very wrong with the house. From dolls that seem to move on their own to the attic being nailed shut as though to keep something from getting out, coupled with Aunt Honey’s recollection of their mother saying their father had been “attacked” the night they died, Hendrix eloquently weaves together a story laced with figurative and literal hauntings that forces the siblings to actually talk through their differences and their family’s past.
Hendrix’s haunted house and haunted dolls are undeniably campy but they work well with the dark topics discussed within the family and the awkward, heavy tension that often permeates any interaction between Louise and Mark. Hendrix didn’t attempt to reinvent the horror genre or bring anything new to the table, but the novel is enjoyable because he plays into the camp and the supernatural aspects of the story works to develop the family conflict and force the family to confront the issues they were often prone to avoiding. Avoidance is perhaps the most prominent theme within the story and the setting of the family home is the most appropriate setting to force this confrontation. Although Louise wishes to escape the odd occurrences once more and flee to San Francisco, her determination to ensure the house is ready for sale in order to use the money to provide for her daughter is what drives her to confront the ghosts of her family’s past.
The leader of these haunted dolls is Pupkin, the late-mother’s favorite puppet and a source of great fear for the siblings. As a reader, one can feel how much fun Hendrix likely had while writing this character. His eerie song that echoes in Louise’s head and the aggressive actions he often displays coupled with the joy others’ fear provides him makes him a being of pure chaos. One gets the sense he is, in an ironic play by Hendrix, the puppetmaster jerking Louise and Mark around like his own pair of puppets for his twisted amusement. As Hendrix explains in the novel, “A puppet is a possession that possesses the possessor.” What Pupkin is and what he wants remains a mystery throughout most of the novel, as he represents the physical symbol for all of the secrets that have been buried and carefully avoided within the family.
Hendrix uses a simplistic foundation for any horror story—a haunted house and haunted dolls—and uses them to reinforce the very real horrors of a family rife with secrecy, family drama, and generational trauma. The story works best when the family begins opening up to one another and the truth finally begins to unravel, allowing Louise to come to terms with her past and make amends with her family, both the living and dead. This is definitely a great novel to check out if you’re looking for some good old-fashioned horror mixed with the exploration of a family and their strained bonds.
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